Presonus StudioLive 16.0.2 USB Digital Mixer

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700,000.00

Description

The StudioLive 16. 0. 2 USB is a great choice for small churches, schools, bands, and clubs, and it’s perfect for a small studio on a budget. It features 16 channel inputs, 4 of them stereo channels, and 12 with XMAX mic preamps; a built-in 18×16 USB 2. 0 interface; extensive signal processing on every channel and bus; 4 aux buses; extensive metering; Scene and setting save/recall; MIDI control; and more. Yet it’s lightweight and rack-mountable, operates much like an analog console, and delivers superb audio quality. It comes with PreSonus’ UC Surface control software, Capture recording software, QMix-UC aux control app, and Studio One Artist DAW.

Technical Specifications

Microphone Preamp

Type XLR Female, Balanced
Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
Input Impedance (Balanced) 1 kΩ
THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB
Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
Gain Control Range (± 1 dB) -16 dB to +67 dB
Maximum Input Level (unity gain) +16 dBu
Phantom Power (± 2 VDC) +48 VDC

Line Inputs, Balanced

Type ¼” TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance 10 kΩ
THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB
Gain Control Range (± 1 dB) -20 dB to +20 dB
Maximum Input level (unity gain) +22 dBu

Line Inputs, Unbalanced

Type RCA Female, unbalanced (stereo pair)
Maximum Input Level +22 dBu

Main Outputs

Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
Rated Output Level +24 dBu
Output Impedance 100Ω

Aux Outputs

Type ¼” TRS Female, balanced (mono)
Rated Output Level +18 dBu
Output Impedance 100Ω

Monitor Outputs

Type ¼” TRS Female, balanced (stereo pair)
Rated Output Level z +18 dBu
Output Impedance 100Ω

System Crosstalk

Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu

Noise Gate (Expander)

Threshold Range -84 dB to 0 dB
Attack Time Adaptive (0.2 – 2.5 ms)
Release Time 70 ms
Expander Attenuation Range 2:1

Compressor

Threshold Range -56 dB to 0 dB
Ratio 1:1 to 14:1
Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
Auto Attack and Release Attack = 10 ms, Release = 150 ms
Curve Types hard and soft knee

EQ

Type 2nd-order shelving filter (Q = 0.55)
Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
Mid 260 Hz to 3.5 kHz, ±15 dB
High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Digital Audio

Host Interface USB 2.0
ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
Internal Processing 32-bit, floating point
Sampling Rate 44.1, 48 kHz
A/D/A Bit Depth 24 bits
Reference Level for 0 dBFS +18 dBu

Clock

Jitter <20 ps rms (20 Hz – 20 kHz)
Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power

Connector IEC
Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
Power Requirements (continuous) 100W

Physical

Length 15.56 inches (397 mm)
Width 16 inches (406 mm)
Maximum Height 5.5 inches (140 mm)
Weight 20 lbs.
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